PERSONAL ARCHIVE/VOL. 001

Building things.
Following curiosity.
Leaving a trail.

A home for the things I make, the ideas I collect, and the skills I am learning—across software, image, sound, and everything in between.

MADE BY SOUNAKA SNAPSHOT OF NOW

IN ROTATION

A FEW OPEN TABS
01
Learning

Ethereum, EVM internals, systems programming, zero-knowledge primitives

02
Building

Sounxk living archive, minimal distributed state experiments, tactile tools

03
Exploring

Leica 35mm monochrome, analog tape synthesis, typography, essays

01 / WORKMAKING, LEARNING, REFINING

A PRACTICE, NOT A BOX

Different directions.
A shared instinct to make.

I am building a body of work across disciplines. Some things will become polished projects; others will stay experiments, notes, or useful detours. This archive has room for both.

OTHER WORKING AREASAREAS OF ACTIVE EXPLORATION
ACTIVE EXPLORATION

Make it work. Understand why.

TypeScript, Solidity, backend engineering, protocol internals, and small product experiments—with an emphasis on understanding the system, not just shipping the interface.

EVM InternalsDistributed StateTactile UI

CODE · PRODUCTS · INFRASTRUCTURE

ONGOING NOTES

Follow the question.

Notes from learning, technical explainers, essays, references, and half-formed ideas that become clearer when they are written down.

Digital GardensCraft of SoftwareCognitive Habits

FIELD NOTES · IDEAS · REFERENCES

STUDIES & TAPES

Pay attention to the world.

Photography, moving image, music, visual design, and other creative practices that make me look, listen, and experiment differently.

35mm Film StudiesAmbient SynthesisKinetic Design

PHOTOGRAPHY · MUSIC · STUDIES

Eight disciplines.
One practice.

A map of the territories I am actively building in — from infrastructure to image. The work crosses borders by design.

01⌘SystemsSoftware EngineeringACTIVE · DEEPENING
02△ProtocolBlockchain & EVMACTIVE · STUDYING
03◎ImagePhotography & FilmONGOING · ANALOG
04♪SoundMusic & SynthesisONGOING · PRODUCING
05✦FormDesign & TypographyACTIVE · PRACTICING
06∞LanguageWriting & EssaysONGOING · LEARNING
07⬡Matter3D & Visual SystemsEXPLORATORY
08◇ResearchZK & CryptographyACTIVE · DEEP DIVE
02 / FIELD NOTESTHOUGHTS THAT ARE ALLOWED TO CHANGE

THE DIGITAL GARDEN

Not everything
needs to be finished.

A public notebook for questions, working principles, discoveries, and ideas that become clearer when I give them words.

Search or filter by category below. Open a note to read the full reflection.

6 NOTES
01FIELD NOTEA note on becoming good at thingsBeing a beginner is not a detour from the work. It is the work, repeated often enough that the unfamiliar starts to feel natural.

I want to get better at letting the awkward first attempts exist. The first photograph, the first paragraph, the first implementation: they are evidence of contact with the thing, not evidence that I should stop. A useful practice is small enough to repeat and honest enough to show me what I do not yet understand.

02IDEA IN PROGRESSWhy make room for many disciplines?A wide life is not the same as a scattered one. The trick is to give curiosity a structure without making it a cage.

Software teaches me to make systems explicit. Photography teaches me to notice what is already there. Music teaches timing; writing helps me discover what I think. These interests do not need to become one personal brand story. They can simply make me more observant, more capable, and more alive to the world around me.

03WORKING PRINCIPLEBuild to understandA tutorial can introduce an idea. A small thing built from memory shows which parts have actually stayed with me.

After learning something new, make a smaller version without following the original steps. Write down what is confusing, look it up, then try again. The point is not to avoid tools or documentation. It is to make sure they support your understanding rather than quietly replace it.

04NOTE TO SELFMake things without performingSharing the process can be useful, but the work still needs a life away from the audience.

Not every experiment needs to become content. Some things can be made privately until they are ready; others can be shared because the act of explaining them helps. The measure is whether publishing serves the work, the reader, or the connection between us—not whether the process looks impressive from the outside.

05FIELD NOTEThe tactile web and why taste mattersSoftware does not need to feel sterile or disposable. The best digital spaces have texture, weight, and patience.

We spent a decade flattening interfaces into interchangeable utility. But the web can feel like good stationery—warm paper, considered margins, ink that settles into the fibers. Taste is not ornament; it is the discipline of making something feel human and durable in an era of relentless algorithmic sameness.

06WORKING PRINCIPLETools that get out of the wayThe best tool is not the one with the most features. It is the one that shortens the distance between an idea and its first breath.

Complexity in tooling often disguises procrastination. When beginning a new exploration—whether an EVM contract, a Next.js experiment, or an ambient chord progression—start with the simplest primitive that works. You can always add scaffolding later, but momentum lost to configuration rarely returns.

03 / CREATIVE PRACTICEOUTSIDE THE TERMINAL

IMAGE / SOUND / FORM

Pay attention.
Make something of it.

Creative work is a way of learning to notice: how light falls, how a rhythm moves, how a composition holds together, what a colour changes.

SOUND GENERATORECHO · TAPE LOOP

Ambient generative tone synthesized in real-time via Web Audio API.

01

Photography & moving image

Portraits, places, small stories, light studies, and the craft of shaping a frame.

02

Music & sound

DJ sets, production experiments, tape delay, guitar, and the pleasure of learning by listening.

03

Visual experiments

Graphic design, 3D studies, typography, colour systems, and ideas that cross mediums.

SELECTED VISUAL STUDIESCLICK TO INSPECT PRINTS & METADATA
Monolith & GeometryINSPECT ↗
01ARCHITECTURE STUDY

Monolith & Geometry

Diagonal afternoon light carving concrete planes. Exploring rhythm, tension, and quiet mass in modern form.

35MM ANALOG · ISO 100 · F/4.0
Twilight ReverieINSPECT ↗
02STREET STUDY

Twilight Reverie

Wet cobblestones reflecting amber lantern glow at dusk. The city settling between day and night.

LEICA M · 50MM · ISO 400 · F/2.0
Vessel, Paper & SunbeamINSPECT ↗
03LIGHT STUDY

Vessel, Paper & Sunbeam

Prism glass refracting low winter sun onto textured washi paper beside a hand-thrown moss vessel.

NATURAL LIGHT · STILL LIFE · F/2.8
THE POINT IS NOT TO MASTER EVERYTHING AT ONCE.THE POINT IS TO KEEP RETURNING.

04 / A WORKING PRINCIPLE

Make the thing.
Then make it better.
STAY CURIOUSLET THE WORK TEACH YOUNO FINAL VERSION
05 / ABOUT & COLOPHONTHE PERSON BEHIND THE ARCHIVE

HELLO, I'M SOUNAK

Many interests.
One life to build.

I’m Sounak—a software engineer, learner, and creative generalist. I’m drawn to how things work: from software and systems to photographs, music, design, and the ideas that connect them.

Sounxk is my corner of the internet for keeping a record of that process. It is not an attempt to look finished; it is a way to make the learning, the experiments, and the work easier to find—and to return to.

The goal is to make useful things, develop taste, keep asking better questions, and build a life with more than one source of meaning.

GET IN TOUCH

Open to conversations about software systems, creative projects, or interesting questions.

Write an email